Stradivarius 1715

The ‘Titian’ Stradivari of 1715 has long been counted among the finest violins of the maker’s golden period. It has revealed itself to be a formidable concert instrument of unusual power and scope, remarkable for its focus and resilience under the bow. The violin was dubbed ‘Titian’ by the French dealer Albert Caressa because of its clear orange–red colour, which reminded him of the work of the famous Venetian painter.

Stradivarius 1716

Stradivari’s 1716 ‘Messiah’ violin is one of the most coveted in the world. The pristine condition of the instrument, made during his ‘golden period’ and barely played since then, offers unique insights into the mind of the great master.

Stradivarius 1708

The 1708 ‘Dancla’ Stradivari is an exceptional violin from the middle of the maker’s so-called ‘golden period’. It perfectly represents Antonio Stradivari’s later experiments while also embodying some rare characteristics.

Stradivarius 1709

One of the top Stradivari violins in the world, the 1709 ‘Viotti’ helped to establish the master’s name – thanks to its illustrious owner. The powerful tone and brilliance of sound created by this exceptional combination of instrument and performer (G.B. Viotti) helped to create the Stradivari legend.

Stradivarius 1735

By 1909, it had been acquired by a member of the French Samazeuilh family, hence the name of the violin “Samazeuilh”. In 1923 it came in the possession of the virtuoso Mr. Mischa Elman (1891-1967), who in a letter written in 1926 considered it “one of the best Stradivarius instruments for tone quality…”

Stradivarius 1715

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Stradivarius 1716

Violin 006

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Stradivarius 1708

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Stradivarius 1709

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Stradivarius 1735

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